I’m chuffed to be selected as a Best of ASMP 2011 photographer by my peers at the American Society of Media Photographers. I’ve long been inspired by tales of past honorees, and this year’s roll call is nothing short of awe-inspiring. It’s amazing how many languages people use to “write with light”.
ASMP Bulletin editor Jill Waterman made a marathon effort interviewing this year’s 20 photographers. Even I learned a thing or two in my own Q&A, thanks to her probing questions. And Director of Communications Pete Dyson bent over backwards to wrangle last-minute tear sheets and photo captions into my web profile.
Far-flung in Indonesia, it’s easy to feel cut-off from the mainstream photographic community. Devoted efforts from people like Jill and Pete, and the generous wealth of experience at the ASMP forums, make me feel right at home. Thanks guys!!
An excerpt from the Q&A…
Best of 2011: Djuna Ivereigh
During a 1998 Indonesian caving expedition, Djuna Ivereigh’s forest guides turned out to be a gang of highly skilled cockatoo poachers, trapping birds for the pet trade. At the end of the trip, she stayed behind to photograph the group as a personal project. Her resulting images inspired a conversion: While the poachers initially showed no signs of remorse in stringing up birds, they felt differently after studying her pictures. They now run a wildlife rehabilitation center and lead groups into the trees as ecotourism guides. Ivereigh has remained in Indonesia, as well, where she continues to photograph conservation and tourism, including luxury villas in Bali.
Djuna Ivereigh, Ubud, Bali, Indonesia
Project: A personal project documenting how Indonesian poachers operate and why, which resulted in their change of heart to work in ecotourism and wildlife rehabilitation.
ASMP: How long have you been in business?
DI: Freelancing for 20 years; writing and shooting full time for 13; still working to wean myself of words.
ASMP: How long have you been an ASMP member?
DI: Finally(!) pulled my head out and joined this year.
ASMP: What are your photographic specialties?
DI: Trees, hobbits and the odd luxury villa. Emphasis on “odd.”
ASMP: What do you consider your most valuable tool or piece of equipment?
DI: Menfolk envy my 500/f4 and its dedicated extender. My only consolation: “It’s not about the equipment, it’s how you use it!”